Shutt Velo Rapide are fast become a household name in the peloton, known for their bold designs from British based designers. The lastest to their growing portfolio of women’s clothing, the Isobel jersey is exactly what you’d expect – colourful and eye catching.
On first appearance, the jersey is very well made with a heavier lycra suitable for chillier autumnal rides. Featuring a full-length reflective zip, mesh side panels, reinforced pocket design, a zipped fourth pocket for valuables and a reflective hem trim, the Isobel packs a lot of features.
Purple spotty design of the Isobel jersey makes for a bold statement
The bold design was well received by many a jealous rider as we set out for 100km hilly ride. If you like to hide in the middle of the peloton, then this jersey is definitely not for you. A warm purple colour with a spotty panel across the front and back, and a nifty spotty fold-down collar, the Isobel certainly helps you stand out from the standard blandness of blacks and reds of a social ride. By the end of the ride, it was the boys who were most envious of the bright and bold colours which are often not available to the the men.
As a petite (5ft2), but fairly curvy (size 8, 34/36cm bust) cyclist, I’m never surprised when a jersey doesn’t fit perfectly and unfortunately on this occasion the Isobel fell into the disappointing pool, hugging in the wrong places and baggy in the others. The length of the jersey was a little too long for me, and although the elasticated waist band is great at keeping the jersey in place whilst riding, it unfortunately gave too much fabric on the stomach creating a bulge (and if you’ve a bit of a bust like me, a white spotty panel may not be the best feature). Plus, the high foldable collar annoyed me slightly on a long hot ride, although it was pretty sharp on the eye when enjoying my cream tea.
Unlike many male cyclists with a broad back and pockets to match; packing for a ride needs military procession. The pockets on the Isobel are plentiful, with 3 open pockets across the back and an additional zipped pocket to keep the valuables in, providing many storage options. Unfortunately, the elastication on the pockets doesn’t provide a flat
centre back zip pocket
finish which resulted in a baggy fit, especially on the middle pocket, which resulted in me leaving my pump at home and hoping one of the other riders would come to my rescue if I needed.
The weight of the lycra mentioned previously does mean you lose some heat control functionality on a hotter day, which also likes to hold on to the sweat produced on a tough ride (it also took more than one wash on my usual 30 degree kit wash to rid it of the smell too). That being said, this jersey is perfect for the ‘sunday social’ cyclist who wants to be seen at the local cycling coffee stop or out to a pub lunch; this jersey is full of style and all eyes will be on you alone.
As a social Sunday ride and coffee jersey Isobel scores 74%
As a race jersey Isobel scores 65%
– Fabulous bold design
– Heavy weight quality lycra for chilly days
– Zipped pocket to keep hold of valuables
– Draws attention to the bust
– Slightly long in the body for shorter riders
– Lacks breathability and took more than one wash clean
– Baggy pockets
– Lumpy zipper issue
– Draws attention to the bust
The Shutt VR Isonel Jersey retails at £79.00 and available from the Shutt VR website.
Hayley road tested a Shutt VR women’s size XS
Riding since Feb 2011 Hayley is a 30 year old female who loves adventures. If she’s not on one of her many bikes or in the water on a bodyboard/surfboard, then Hayley is probably out looking for something new to keep the adrenaline pumping!
The secret of Autobiography Publishing is timing and by and large thanks to Ms Cooke’s former colleagues at British Cycling her timing has been made perfect, Future editions of this book will contain a big ‘thankyou’ for proving her right. Shortly after publication the BC squads for the World Championship were presented, without an entrant for the Female Time Trial, an Olympic event, detailing the wholesale lack of strategy employed by them, and this lack of ‘Joined Up Thinking’ becomes the main theme as Nicole scales her way to the top.
This book could really have had the more Chauceresque title of ‘A Tale of Two Millars’ as Little Nicole begins her interest in cycling as a sport after watching Robert Millar in the Alps but ends with the sad realisation that shamed drug cheat David Millar was, despite his lies and falsehoods, still holding sway in the sport, even after his unmasking, still operating in GB Team colours alongside a then in form Ms Cooke, getting better attention and help and unlike Nicole not coming up with the goods.
It is this and many other inequalities and inequities that Nicole lists throughout her career captured for the first time in print. The term ‘Autobiography’ is a smidge misleading here as the basis of this tome is a small amount of Childhood preamble which is fairly cut & paste from most riders of the pre ‘Deep section wheel/Di2/Carbon everything’ generation seeing Nicole make do and mend with ‘hand me down’ equipment, ‘money was tight but we had fun while all the other kids had better bikes etc’, before hitting the world of Pro Cycling hard at the ripe old age of 16…. Anyone looking for an in depth opening into the life of Nicole will be disappointed as once she gets into big time Cycling she enters a storyline of training, over training, more training and some racing. We are treated to many blow by blow accounts of her battles with riders all round the world which if you and I related would sound like a massive name dropping session but to Nicole it was another day at the office. This underlines the level she operated on and provides the mystery of the piece which is why British Cycling could never [despite her success] use her as a blueprint to help bring on other female British talent. The biggest giveaway is that for Nicole to break into the British squad is that she needed legal help from such a young age. The resulting Race CV generated over the next years is testimony that most of her methods were correct and should have been studied better.
Perhaps the saddest aspect of the book is the endless list of riders, especially on the Welsh cycling Union side, that are messed about and rejected. Money, not talent, is always the issue and the list of these casualties mounts as the book goes on. This is counterpointed by the all too present reality that the names behind the scenes, actually drawing a living wage are mostly the same, highlighting the double standards on quality control that exists. These rejected riders were mostly lost to the sport, showing the lack of vision these bodies and teams have, a sport cannot be sustainable if only the tiniest elite element is cared for.
Without providing too many spoilers Ms Cooke’s biggest battles are behind the scenes, off the bike tussles, with a nebulous array of Welsh Cycling Union, British Cycling and assorted team staff (sometimes a crossover of all the above), which as the book develops give rise to the concept that cycling in Britain is more than heavily male dominated and even in the Lottery cash boom time that exists; the backup of Female coaches for the talented female riders is non-existent. Some of the names listed as being obstructive will surprise, leaving you thinking, ‘What him?? I thought he was a good guy??!!’, Ms Cooke is not afraid to mention these people which underpins her reputation for honesty. To offset any negativity this provides she does however always give praise to when and where it was required throughout her career.
The book offers a few frustrations, we know how Nicole’s career ends but there is no reference to where she goes now or what she would like to do with her time. But it serves as an apt wake-up call for the cycling scene in Britain that action is still needed to bolster the female side of the sport and take advantage of a boom time for women’s sport.
Cycling Shorts gives The Breakaway by Nicole Cooke 91% earning it our Star Buy rating.
Don’t forget to ether our competition to win a signed copy of Nicole’s book. Click here to enter.
The Breakaway by Nicole Cooke is published by Simon & Schuster UK (31 July 2014)
Available in Hardback & Digital: RRP £20.00
Kreis is a relatively new brand to the UK market and comes at it with the angle of offering limited run Club orders. Their designs are very modern and striking and give an opportunity to have a coordinated wardrobe for not too much money. The clothing is made for them by Kalas, a Czech company that have enabled Kreis to bring their designs to the public.
The overall emphasis from Kreis is on creating your own statement and having them help you realise it. Most of the designs are size customisable too, offering a great deal of flexibility for every shape and size of cyclist. Emphasis is placed on the ‘pre-order’ stage of purchase where the details of what you need can be tailored to you.
Kreis Echelon-Gipfel Renntrikot Jersey
The design of this jersey and indeed all the kit we had for review certainly turned heads. This jersey was of simple construction with a lycra front and sleeves, and mesh panel rear. This gave a great amount of breathability from the rear portion and the modern aero design most riders now seek. It fitted very snuggly and was comfortable in the classic cyclist tuck, without any flapping. Importantly the three rear pockets were accessible and deep enough to carry usual cyclist needs. Renntrikot has a full length zip which worked easily and gave flexibility when venting is required in warmer temperatures. In long term testing it washed well, it’s light colours remaining clean.
Our Test model was sized ‘4’. This was in modern terms a ‘race fit’ i.e. tight and was in the realm of a small/medium. As with all brands your own size and fit differ from other manufactures sizes.
The Jersey is listed at £85
Kreis Echelon-Gipfel Tragerhose Shorts
Shorts are in modern terms one of the biggest areas of discussion amongst Cyclists of all persuasions. Each contact point with the bicycle has to be perfect or your ride is going to be very short indeed. Kreis offer gender specific inserts to provide the comfort and they actually are pretty comfy. Quite a few rides gave plenty of confidence in the chamois. Fit is the secondary area of comfort for shorts, any ruffles or bagginess will soon become a problem but the Tragerhose are made of a nice weight of lycra that is soft and solid enough to help their panelled structure to fit well. The only negative for us was that the leg ‘gripper’ arrangements were baggy on our test item. This is probably down to the simple fact that the test shorts were size 5, which equates to an XL on the Kreis sizing chart. The grippers have their silicon band cleverly embedded in the fabric itself, meaning that the old fashioned ‘just above knee elastic line’ is totally eradicated. A smaller size would have given a better fit here.
The shorts are listed also at £85
Kreis Echelon Accessories
We also tested the Echelon Armwarmers which are made of a ‘roubaix’ (brushed lycra on reverse). These proved to be lovely and snug in cooler conditions. They have a silicon top gripper to keep them in place and were longer than most modern styles giving less chance of a chilly gap at the top. At £20 these compliment the rest of the Echelon range nicely without breaking the bank and could be worn with other clothes as they are mostly black with just a few details.
A Radlerkappe was also sent for our enjoyment, that’s a cap to you and I, and although with helmets being solely the order of the day the cap was called into service on a couple of low sun evenings to prevent dappling light affecting the eyes. There is a functional mesh panel within its structure that prevents any overheating allowing a good point of ventilation.
The hat comes in three sizes and we tried the Medium which was perfect for a ‘normal’ head. £15 buys you the perfect piece to finish your pro-rider designer look.
The Armwarmers are listed at £20 and Cap at £15
For someone on a modest budget this range could be ideal and with a bit of input even unique to you. A lot of modern riders wish to have their own identity in a crowd and this could help them get there.
CyclingShorts.cc gives the Kreis Range 93% and a star buy rating.
Range available from:
Bioracer Pixel Jacket
This years show runs from 26th – 28th September 2014 and has exhibits from just about every brand you have heard of in the Cycling World and then some.
There are many highlights and there has been a push this year to get some of the fresh new equipment on show for the punters to drool over.
Kim Madsen presents New XTR Di2 Gruppo
Top of this list was the Shimano stand where Kim Madsen and his team have unveiled the new XTR Di2 Groupset and have set it up on a working bike along with a 3D interactive Trainer that when wearing the magic 3D goggles allows you to actually ride in the mountains!! There will be big queues to play with this so get there early!! Kim and his team are part of Shimano’s drive to keep the fun and excitement in cycling and when you see the faces on the grown-ups testing the new kit you will see this plan’s working!!
For Weight Watchers the big draw will be Treks stand featuring the new super light Emonda range which features there lightest ever production model. The excuse that they haven’t got one in the colour you want is out the window as they have a vast range of custom options to match your team or club kit, seeing is believing but this bike is measured on how fast your jaw drops when you lift it and say ‘Wow’!!
Bioracer have a fantastic simple stand which shows their new super safe Pixel range which reflects light the give riders visibility in poor light, ideal for winter and at the other end of the scale their much talked about Speedsuit time trial wear actually had people queuing to see what Martin and all the top testers have been using to help cheat the wind.
The exhibition is vast so take sensible shoes and enjoy the entertainment such as at 14.15 pm everyday Jules Thraser from ATG training giving a demo on how to program Shimano Di2 components, easy when you are shown well!!
Winning and losing in sport is often portrayed sensationally as a matter of life and death. In the case of Italian cyclist Marco Pantani he lost, and sport arguably took his life. Casting aside the rumours, the conjecture, the very Italian polemic surrounding the passing of one the country’s great sons, his death remains a great lost to the sport of cycling. James Erskine’s Accidental Death of a Cyclist provides a more generalist view of Pantani’s story and is worse for it. Pantani and Italy, so intertwined so passionate and yet the film understates this symbiotic relationship.
Based on Matt Rendell’s widely acclaimed book The Death of Marco Pantani, the film is bolstered by fantastically chosen archive footage and interviews with key players in his story but unfortunately weakened by laughable reconstructions. Covering all the major bases, the film provides a good overview of Pantani’s rise through the ranks, his early successes before a career threatening crash, the high point of his Giro-Tour double of 1998 and his subsequent decline with all the entrails between.
The grainy films of a nervous, young Marco are real insight into the man behind the ‘Il Pirata’ mask. A man whose eyes Greg Lemond looked into and saw, ‘those of a kid.’ One particular clip that springs to mind is Pantani getting back on his bike after his career threatening crash at Milan-Torino. A childish grin spreads across his face as he nurses his bike around a garage in a full Carrera team tracksuit. “Well, I can still ride a bike,” he quips. In another a younger Pantani, arms folded is effectively asked if he is a good climber. “Yes, I am not bad on the climbs,” he shrugs with huge understatement.
The re-enactments meanwhile add little to the story. Pantani played by an actor is often pictured climbing on the hoods of his bike rather than the drops which was his trademark – an elementary mistake. These clips add little to the otherwise expert insight from Matt Rendell himself, journalist Richard Williams, Tonina Pantani and Greg LeMond amongst others.
Pantani provided all of his adoring Tifosi the chance to escape with him and that is just why they loved him so. Roving escapes at the bottom of mountain climbs, breaking the shackles of the metronomic Armstrong or Indurain, you can see how easy it must have been to be caught up the whirlwind that surrounded him. Reverberating Italian commentary accompanies some of Pantani’s best in race moments and these are the real pièce de résistance of the film, immediately making your hairs stand on end. Just how much he resonated with the Italian public is clear to see in the aftermath of his death with seas of people, stunned, weeping; bandana’s tied round their arms in remembrance. “Cycling has lost its number one,” is one comment.
What’s strange in this new epoch of cycling is how past riders are remembered. Somehow, Pantani despite the allegations and his positive test is still revered. Idolised as ‘the best climber the sport has ever seen’ or a ‘rider whose like has never been since’, yet somehow he escapes the criticism levelled at most riders of his generation. Arguably it was his sad death that elevated him above the riders who cheated but never paid the ultimate price, riders like Lance Armstrong who is painted as the chief villain of the EPO era and is widely criticised and chastised as a result.
Given the recent news that the police are to reopen the case into his death in light of recent evidence provided by his mother Tonina; the Marco Pantani story is set to run on and on. Certainly this says as much about Italians love for conspiracy and conjecture as it does about their idolisation of Pantani. Here’s hoping recent Tour de France champion Vincenzo Nibali can capture the heart and minds of the ever passionate Tifosi once again.
I, like many of you I am sure, were brought into the sport of cycling due to the seductive story of Lance Armstrong. A man returning from his deathbed to win the hardest endurance event in the world – WOW what a story. Arguably there is little that can be added to the monster of a story that it was and still is.
The discourse has been mounting higher and higher through the early years of Armstrong’s dominance, the rumours and his subsequent decline. However, this Mount Ventoux of a narrative has recently been capped by the release of The Armstrong Lie. This documentary without doubt slaps more layers of intrigue, controversy and questions to the ever expanding bounty of media available. One thing is clear though, the documentary shows how Armstrong tricked millions into entering his web of deceit. Road cycling literature is becoming more and more prevalent in the English/American market, but beyond A Sunday in Hell film and documentary’s are conspicuous by their absence. Step forward Alex Gibney. The project began after Armstrong controversially announced his intention to come out of retirement to promote awareness of his Cancer charity Livestrong. Gibney agreed with Armstrong to make the documentary allowing the film maker unbridled access. However, as Armstrong began his fall from grace so the documentary changed, taking a radically different tact. It begins with an overview of the early years, the Americanisation of the European pro-peloton by ‘Le Texan’ and his merry band of US Postal brothers. In tune with this, the cinematography of is undeniably from across the pond. Talking heads, Reed Albergotti, Jonathan Vaughters, George Hincapie, Daniel Coyle and Frankie Andreu amongst others, although sometimes full of cheesy soundbites do provide interesting comment. Meanwhile, there is some fantastic archive footage, Armstrong continually maintaining his innocence one on one with Gibney, suggesting he has never tested positive, a bespectacled Michele Ferrari, team briefs on the Astana bus during the 2009 Tour de France and quite sensationally Armstrong entertaining both the UCI and USADA doping testers at his home. During the documentary Armstrong insinuates that his admission on the Oprah show was “too much for the general public and not enough for cycling fans.” This is true of the documentary as a whole. I was crying out for more details, more tidbits, more admissions, yet all that emerged was the usual stories. The administration of drugs on the floor of the team bus during the tour, the hospital room ‘admission’ same old, same old. But, one aspect the documentary does explore, one which is well discussed in the written media is the character of Armstrong. Bullying, harassing, controlling the narrative. It is fascinating to see this on film. He stills performs ‘the look’ into the camera denying Betsey Andreu’s accusation that he admitted taking performance enhancing drugs in that hospital room as he lay riddled with cancer. He also still denies taking drugs or blood transfusions during his 2009/2010 comeback. For me this clearly suggested that despite his admission, Armstrong himself has not changed one iota. However, one thing has changed for sure – I doubt there are many people that still believe him. Gibney suggests in his narrative that he was no ‘fanboy’ of Armstrong’s, however the unbridled access he got during that Tour meant his peers felt he was becoming one. The documentary does have whiffs of positivity for Armstrong but in the end does portray him in the negative light he deserves. The sport of procycling has come a long way since the first and second retirements of Armstrong in 2005 and 2010. It may be too early to say but here Gibney has closed the chapter and what was tumultuous period in the sport. Maybe now is the time to leave the ghosts of the past behind and promote today’s new generation of riders. Cycling Shorts rating: 76%